But that’s what Franz Ferdinand’s music is all about: mixing organized, sophisticated moments with ransacked hooks. But, as their setlist continued, the band bopping through their lengthy discography, it was a fierce reminder of how much their music had been missed - from their moments of cool and dry steadiness to their poppy bursts of energetic Scottish-rock. Yet, that sense of anticipation was a familiar feeling for this crowd, as Franz Ferdinand have been quite silent these past few years. ![]() It was a prime choice to kick off the show, as the song starts easy, taking its time and making listeners wait, wait, wait for it, before exploding forty-five seconds in with the band’s quintessential frenzy of seriously catchy guitars and drums. ![]() The show started with “Jacqueline,” the track off the band’s self-titled debut album from 2004. But all of this was trivial for when a band like Franz Ferdinand takes the stage to perform for a packed venue of people who, along with thousands and thousands of other damp festival goers, had probably seen them play the day before, listeners quickly forgot about everything except for the music that was about to start. So if one’s can of Zywiec - the venue’s staple beer - is already too warm, well, then that’s too bad. However, it can be difficult to see the stage for attendees settled a little further back, and it’s pretty tough to move around so it can be easy to get locked in at a single location. Warsaw is a boxy, flat, no-frills kind of venue, but its DIY auditorium feel is what makes it such a classic Brooklyn venue. And after the two opening bands (Omni and Wanna) had played their sets, one could barely squeeze any further inside the building. ![]() The show was on a Monday, which meant that the crowd would either be completely burnt out from the festival or they would be insanely stoked that they could keep the celebration of seeing live music going.
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